10 Tips For Photographing Fireworks

Fireworks 4bannnerJuly Fourth is just a few days away and we have been getting quite a few inquiries about the best way to photograph firework displays. It’s really quite simple so I thought I would share my top ten tips for capturing the color, drama, and the spectacle celebrating our nation’s independence.

1. Do Some Recon

To make your fireworks images stand out you’ll need to know in advance where the launch site is located and then position your shooting location so that you can include some interesting foreground elements that will provide scale and setting.  I also like to include the western sky when possible since most shows start shortly after twilight. The long exposure required for the pyrotechnics allows some of the last remaining color in the sky to register on the sensor. Finally, arrive early and claim a spot then spread out a bit to avoid latecomers plopping down in front of you at the last second and ruining your shots.Fireworks 5

2. Use a Tripod

You’ll need to secure your camera to eliminate any movement since photographing fireworks at night requires long exposures. I usually start around 2 seconds and vary the shutter speed throughout the evening for different visual effects.

3. Use a Cable Release

Whenever you’re using a tripod for stability during long exposures, use a remote release cable. It makes no sense to set everything up and then jab the shutter to start the exposure. Additionally,  this enables you to time your exposure for the peak moment of the bursts and will be necessary later if you decide to shoot in “Bulb” mode.

4. Composition

Start shooting horizontal and with a wide-angle lens to capture landscape versions that include the foreground and the last remaining light in the west. Switch to vertical and capture the entire launch from ground to sky. In both cases remember to keep the horizon level. Finally, switch to telephoto and fill the frame with the aerial burst.

Fireworks 4

5. Pre-focus Your Lenses

After you arrive and set everything up, use the last remaining daylight to prefocus on the launch site or an object that is approximately the same distance as the fireworks display. Prefocus each lens you’ll be using during the show and then turn the Auto-Focus off. Tape down the focusing collar with gaffers tape or blue painters tape to prevent it the lens from slipping out of focus. Once the show starts, it will be very difficult to focus the lens and you may waste precious time trying to get sharp images.

Fireworks 1

6. Exposure

10 seconds @ f/11 ISO 100   Manual mode.
You’re welcome…
OK, that just a starting point, but you MUST shoot in Manual mode and set the exposure yourself. I like to use a longer shutter speed to record the light trails and then change the f/stop to adjust the brightness and maintain the color. Lock down the ISO and aperture and change the shutter speed to change the look of the fireworks bursts. Long exposures create trails, short exposures stop the movement and freeze the elements in mid air.

7. Shoot In “Bulb” Mode

Sometimes I shoot in “Bulb” mode to get very long light trails. Press the remote release button as soon as you hear or see the mortar shooting into the sky and leave it open until the burst dissipates. This will usually take several seconds and the resulting light trails are very dramatic. Since the aperture is actually controlling the exposure, you can still record vibrant colors of the burst.  To record multiple bursts during a single long exposure, I use a piece of black 6″x 6″ Foamcore to cover the lens opening between launches. It takes a bit of practice and a little luck, but the results can be spectacular.

8. Shoot Early

Be prepared to start shooting at the very first boom.  Most pyrotechnicians set off a “salute” mortar to gauge the wind direction and to signal the crowd that the show is about to begin. This will be your cue to drop the beer and brats and grab the remote release. With some luck, the wind will be blowing away from you. If not, start shooting early because the smoke from the first few mortars will render subsequent images quite hazy.

9. Shoot Often

Shoot as many photos as you can.  Don’t spend a lot of time “chimping” (Google it…) but periodically check your photos for exposure, composition, and sharpness. Just don’t overdo it and miss a great shot.

10. Experiment…Firworks 2

After you have photographed a few keepers, change it up a bit…

  • Change your shutter speed to shorten or lengthen the light trails.
  • Set your camera’s white balance to Tungsten and Fluorescent to change the color.
  • Use your zoom lens and zoom in during a long exposure on one of the burst patterns.
  • Change the focus during a “Bulb” exposure from blurry to sharp to get cone-like effects from every point of light.
  • Include water, trees, and other landmarks to create more compelling compositions.
  • Shoot with a wide angle lens and ask a friend to stand in the foreground to create a silhouette.

Fireworks 00Bonus tips:

  • Bring a flash light. Add a red filter to preserve your night vision.
  • Bring extra batteries and memory cards. It sucks to run out of power or memory just before the Grande Finale.
  • Turn off your flash. It won’t have any impact and only annoys your neighbors.
  • JPEGS are okay. RAW is better. Less noise and artifacts / More control in post-processing.
  • Turn off the Image Stabilization (IS) / Vibration Reduction (VR) function on your lens.
  • Put some reflective tape on your tripod to improve it’s visibility to others walking near your site.
  • Pack a cooler with water and snacks…

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FenwayFlag

July Print Special
Bring in your best fireworks photos to be enlarged and printed
and we’ll take 20% off our regular print prices.
Good for all sizes printed in-house at Omega Photo through July 31st.

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Omega Photo
210 105th Ave NE
Bellevue, WA 98004
(Located between NE 2nd & NE 4th behind Safeway)

(425) 455-2126

Omega Photo website

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